If approved, a Production Coordinator will be assigned, who will work with you to determine schedule and technical requirements. Apply for the Folio Recording Fund at least two months before you plan to record.ģ. Note that the plan may evolve and change over the course of your degree.Ģ. do you need to engage an accompanist? (If so, the Folio Recording Fund will support up to six hours for keyboard accompanists.).do you need a piano or instrument tuner?.what is the repertoire, for which forces, and of what length are the works, who will realise them, and when?.what is the projected timeline for realisation of your folio?.will the recording be live, or studio, edited or unedited?.Document the intended outcomes for your creative folio. In the first 6 months of candidature, work with your supervisory committee to create a plan for your PhD. In consultation with your supervisors, carefully plan the best strategies for your recordings for the entire PhD, and document your intended outcomes. You should allow at least two months post-production for the edited, mixed and mastered material to be supplied for your own use.ġ. PhD candidates with a creative folio component at the Melbourne Conservatorium of Music are eligible to apply for the Fund during the first three years of candidature (or equivalent part-time). The Faculty Graduate Research Fund should be used to cover any additional associate artists, other musicians, or additional videographer. Further, the Conservatorium Folio Recording Fund will support up to six hours for keyboard accompanists. Both schemes fund costs towards audio recording, mixing, editing, mastering, and keyboard tuning (where necessary). The first is the Conservatorium Folio Recording Fund the second is the Faculty Graduate Research Fund (FGRF). There are two sources of funding for PhD candidates in Music with Creative Outputs. In most cases, the split is: Music Performance: 75% creative/25% written Composition and Interactive Composition: 70%/30% Jazz & Improvisation: 50%/50%. This cap applies for the maximum creative folio submission (where up to 75% of the dissertation is devoted to creative outputs) equivalent pro rata hours are applied for a shorter creative folio and a longer written thesis). The recording hours allocated to a GR student over the course of their candidature is a maximum 30 hours. a studio-based, intensively edited recording.a live audio-visual recording, using high quality video and audio equipment (no edits, except basic top and tailing).This documentation will typically be a mix of two forms: Melbourne Conservatorium employs audio engineers to assist with the production of high-quality audio and/or video recorded material. The Melbourne Conservatorium of Folio Recording Fund assists doctoral music students across Music Performance, Composition, Interactive Composition, and Jazz and Improvisation in the production of their creative outputs for confirmation and final examination.
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